and did those feet

The saga of my foot continues . . . finally the other week I went to see a third quack.  This one decided that, yes, there was definitely something wrong here. He actually gave me some pain killers/anti-inflamatory tablets and sent me off for an X-ray. 

So by the end of the week it was decided that, yes, I had certainly fractured a metatarsal before Christmas and that it was "mending nicely".  Well, that was until I tripped over a small child in class and went flying.  So now it's not just my left foot that hurts (it had been feeling fine for most of last week) now my right shin hurts too!  Certainly swollen and uncomfortable. Ah well, I guess I'll laugh about it all one day.  Just not at the moment. The child is okay, just in case you were concerned.

We've been without the use of the kitchen for most of the past two weeks - we're currently unable to even enter it.  To get to the back door we have to walk round the block and into the back garden to get to the washing machine.  Okay, that's not exactly a problem for me as I don't actually know how to use it anyway. But there are things that I need to get to occasionally.  So we are mostly eating takeaways and going out.  It may sound grand but it's quite expensive! Tonight we'll be having an Indian from the Blue Naan (love these attempts at puns!).  Tomorrow we'll be looking for an ale house that does a decent Sunday roast.  It's a hard life I tell you. With the fridge and table and chairs in the back room and most of the kitchen under cover in the back garden, the cutlery et al up on the third storey, it's all a bit much for my fragile mind to cope with.

I must admit that I'm finding it a bit stressful without the kitchen.  I'm too used to spending most of the weekend in there. I usually work at the table and cook - especially Sunday.  Not this weekend.  These two pictures might show why.  This was the state of play mid-week.  The workmen have been busy and spent all day here today concreting a new floor.  They won't be finished until the end of next week.  Hopefully, we'll be back in by then.  However, we've yet to put some dreaded Ikea cupboards in.  And it's all got to be decorated. The builder himself is going to paint the (new) smooth ceilings which was what I was expecting to be doing this weekend (what with these feet?*).  Actually, when he asked whether we wanted him to paint the ceilings for us, the question mark hadn't even appeared at the end of his sentence before we said yes! At least we'll never have to look at - or indeed, paint - those awful Artex ceilings ever again.  Nor will I have to keep going to the DIY store to get GU10 50 watt bulbs that have a tendency to have blown ten minutes after you replaced tham at vast expense**.  I've been assured that the new LED lights will last for ten years.  With a guarantee that means that they have to replace the units if they go wrong in that time.  Excellent.

Good news if you wander along to Sainsburys - they have this rather spiffing beer in their Above Average Range or whatever they call it.  It's called Suffolk Gold which is actually a St Peter's beer.  Obviously it's Suffolk Gold and even has a lovely bottle much like their IPA ones (incidentally which you can only get from Waitrose. If you've got a Waitrose, of course We haven't). At £1.69 instead of about two quid for a bottle of St Peter's itself, it seems to be a bit of a bargain.  And believe me, gentle reader I've done enough research just so you don't have to.  Tastes great, so don't hesitate to get down there and buy some.  It's supposed to go well with roast pork. Well, it'll be a while before I can find out whether that's true or not.


Summer seems a while away yet but around these parts the festivals are beginning to build up.  Paul Weller is headlining at Latte-tude and we have a new Suffolk folk festival with Imagined Village, Bellowhead and Mike Heron (he of the ISB) as well as the Maverick Festival which I really must sort out tickets for.

All this and work too.  Well, it's the weekend, let's not talk about that now.

* if it sounds familiar, it's from the first episode of Porridge
** not to mention the vast consumption of electrickery

while seasons change

Hmm . . . this one could take ages, or just take up a lot of my time thinking. . .

Where to start? Having just come back from a few days in London - glorious days, real fun - I need to think a few things through.  However, despite the experiences of the Hajj, The Ladykillers, the Cartoon Museum, Vinopolis, A Dangerous Method, et al, I have come back with other things on my mind.   I guess reading Nick Coleman's The Train in the Night along with Mike Chisholm's blog and my own thoughts having bought the two Strawbs BBC recording cds ridiculously cheap in Fopp (Shaftesbury Avenue - next to the Marquis of Gransby).

Now, I don't know what any of you think, or to be perfectly frank, nor do I care.  But they're good albums.  (I love the BBC and without them, we'd be culturally much poorer without them as they have a wonderful collection of sessions and gigs from last Century on tape).  I've just wallowed for longer than I should in the bath listening to one of these albums and decided that I should perhaps be writing a book about music/me/growing up/1970s and all that. Many things am coming to me in de bath . . . whoops, just slipped back into Private Eye and general Idi Amin . . .

What I really do think is that we shouldn't be caught up in this modern culture (?) of guilty pleasures.  For whatever your deity's sake, if you liked it when you were young then just acknowledge it. It really doesn't matter.  Why do we spend so much time apologising for what we enjoyed when we were young?  Why don't we just accept that in some cases, we still like that stuff?  I'm not embarrased about this stuff.  If you are, get over it.



Boyzone - the lost years

 I just mentioned on Mike's site about album covers that I loved the Strawbs' album covers From the Witchwood and Grave New World but had to hesitate in my typing because - just for a moment - I felt awkward in case anyone might complain about my lack of taste.  You know, "Oh god, how could you have ever like THEM?" Well, excuse me but **** ***.  Why shouldn't I like them?  After all, I enjoyed them when I was fourteen, so why should I apologise? 

Many of us "grow up" and stop enjoying things we enjoyed at an earlier age and try to pass it off that we've "matured" and left it all behind.  But so what?  Okay, I don't particularly enjoy Yes anymore - I don't have any interest in listening to them now - but that doesn't mean that I should write them out of my history, does it?  Are we so "cool" now that we can't accept that we liked anything that anyone else dismisses? 

Well, growing up I liked Genesis (pre-PC), Van der Graaf Generator, Focus, Audience, Capability Brown, Fields, Black Widow, Lindisfarne, Curved Air, Hatfield and the North, Caravan, Horslips, Wishbone Ash, Barclay James Harvest, Gryphon, Help Yourself, and who knows what else?  I don't care if anyone thinks that my taste was crap because I got a lot of pleasure from it ( and in some cases still do).  A lot of it was down to the bands I was lucky - no, privileged - to see.  I spent much of my youth in clubs and pubs and the Lyceum and Hyde Park and Weeley seeing great bands.  I was young and (getting served with beer by lovely young barmaids!) had a great time.  God, now I think of it, it was wonderful.  After all, I was able to see my "heroes" - so much for the Beatles and Otis Redding fans - I saw mine!

Let's call these "innocent pleasures" shall we?  We were innocent and just checking out possible futures . . .
The sort of bands that I used to go and see for 50p at local clubs, or at the Roundhouse and Marquee, now constitute a rock'n'roll cornucopia (I'm about to write a blog about the wonderful 60p Charisma packages) that some would give their right arm to have experienced.  They still surface in my memory occasionally as good times had . . .

In this current digital climate of keeping everything alive, I'm still able to hold onto those once-only memories of long forgotten bands (whither Spreadeagle? Krazy  Kat?).  It would seem that we are supposed to either ignore or pretend that our pasts didn't happen.  Well, I'm happy those days happened.  Black Widow and their naked lady being "sacrificed" at Hitchin just after being exposed in the News of the World? Yep, thanks, I was there.  Rick Wakeman playing keyboards for the Strawbs at Stevenage Bowes Lyon one Sunday night just before he joined Yes; yep, I was there.  Bowes Lyon again, believe it or not, Iron Butterfly on a weekday night - I was about 13/14, yep there (they really were crap, though). Weeley, the most inept British Festival ever, yep, I was there.  The night the Who played Charlton football ground supported by Little Feat and just about every other future top name British Band?  Nope, I was down the road at the 100 Club watching a young Peter Gabriel-led Genesis with about 50 other people.  Quite happy to have been there instead of with the cool ones at the Who gig.

I guess, to be quite honest, I've about had it with the whole idea of "cool". My own personal version of cool includes seeing Joni Mitchell and the LA Express at Victoria, John Martyn many times but at the same venue with Paul Kossoff jamming on the encore; John Tams singing rock'n'roll with the Richard Thompson band at the same venue; Sandy Denny at the Cambridge Folk Festival jumping up in the middle of Al Stewart's set (Dave Swarbrick got up to jam, totally un-rehearsed); perhaps seeing the 101'ers just before they became the Clash was a bit what others may call "cool" (they were a bit crap); and hundreds of other gigs that are too numerous to remember. Not exactly "cool" I suppose to many others. And oh! Too many Albion Band gigs to mention - but the opening night of the Barbicon, let us not forget was a concert by the Home Service supported by RT.  Yep, I was there. . .

i'm leavin' now

Halfway through February.  It's that funny time of the year when I am a year older than my wife - this lasts for nine days.  Then we revert to me being only nine days older than her.  She loves this few days of the year when she can make some capital on the "age difference". 

Nevermind, it's not important.  I have now passed the midway in my fifties, they say it's all downhill from here.  Mind you, they've been saying that for the last twenty years, really.  Still, we're going to celebrate it somehow.  We've decided that we need to get away for a few days, so London's Calling.

We're off tomorrow to the Smoke for a few days of Culture with a big C.  Two for One offers abound and so we'll hopefully be able to take in the Hajj Experience at the British Museum and a trip to Vinopolis and maybe a film or a play, too.  We've gone onto laterooms to find a reasonable hotel (much like last week) so everything seems ticketyboo.  I think the Cartoon Museum is nearby too so we may go there as well.

Despite the fact that the quacks still can't decide what's wrong with my left foot, we'll still go up and wander about.  I went back to them last evening and my regular doctor told me that there's "not much wrong" - which is fine for him to say.  It still hurts.  Anyway, I went and bought (at vast expense, let me tell you) some orthotic supports for my feet.  Hopefully, these will sort it out.  Evidently it's not a fracture.  Oh well, maybe one day someone'll let me know what it's all about.  So far the only person who has made any sense of it all is a friend of ours who's a vet.  That says it all!

We've been off school for our half term break this week.  my sister came down for the weekend - my only blood relative still alive - and I've tried to relax a bit so far.  In between catching up on hair and dental appointments, I decided to change the strings on my Fylde.  Thirty Five years and counting. It sounds wonderful, and more-or-less in tune whenever I take it out of its case.  However, I put some Elixir strings on which I've taken a gamble on as they're damned expensive.  They're supposed to last for years because of their "nanoweb" covering.  Hmm, we'll see.  They do sound great at the moment, though.  I must admit to being a bit guilty about ignoring this noble beast for months at a time.  I don't deserve it but I bought it fair and square in the late seventies with money that I earned. According to various inflation converters, the £250 I paid in 1977 is worth about £1400 now.  A new Fylde Orsino (the basic model, ie mine) now costs £1795.  I'd hate to lose it or break it but the Insurance people may have kittens. . .

The current edition of Word magazine has a lovely article on Jackie Leven and a free cd that works as an excellent primer to his work - fourteen tracks that cover a lot of ground.  Recommended to one and all (except Mike).  You need to look inside the magazine for it as they've stuck it onto a page, which means it'll rip the page as you remove it.  Well thought-out, there.

One of my daughters bought me Nick Coleman's The Train in the Night: A Story of Music and Loss for my birthday, which is almost un-put-downable.  I'll have to think about this over the next few days but some of us take listening to music for granted.  When disaster strikes and we lose our hearing, how do we respond?  Very thought provoking and right up my alley when it comes to reading matter.  More on that later. Now, talking of trains, where did I put those tickets?

gentle chaos

I spent Friday evening and Saturday at a conference at the BFI on South Bank this weekend.  I had to rush back to avoid snow stopping play as far as the trains go, but a jolly good time was had.  The snow was deep pan crisp and even just like a Christmas pizza this morning but probably will mostly have vanished by tomorrow.

I'd left school early on Friday, missing my afternoon lesson, to get up to London in time.  I'm glad I did as the evening session was a talk by Ian Livingstone, founder of Games Workshop, author of many games-style books and now currently the big guru and prime mover to the current government on Computer Science.  You know, the stuff about how students don't need a year to learn how to use Excel and Word as they're born with the knowledge; they evidently need to be able to programme computers to make Britain great again.  Something like that, anyway.  it was an excellent talk - but like everyone else, I'm totally gobsmacked by how much money is involved in the Games industry.  It's billions of pounds, much more than movies or music.  Blimey.

I stayed in a very swanky hotel, the Plaza Riverbank which is a four star hotel.  I found it on laterooms.com or whatever - it was what they call a "mystery hotel".  You have to apply first, then they tell you which hotel it is.  Other than the fact it was quite a way (although near Waterloo) from the BFI it really was a lovely place to stay.  I guess you've realised that I'm not paying for it.  Although I went in my own time and spent part of the weekend working in workshops and lectures, it was all for education.  Therefore, school paid for it.  However, the upshot is that it was only £79 for the night, which situated where it is, is not bad.  A bit of luxury, anyway.  It'll take a little while to fully assimilate the usefulness of the conference, but I thoroughly enjoyed the experience.

Despite making a couple of (very) short films - one of which I was in* - I spent some time networking and generally enjoying the opportunity to just be there.  After Friday evening's session, I had a lovely meal at the BFI Riverfront restaurant.  The day's special was Sea Bream and salad at a very reasonable £10; all the other food looked good too. After getting back to the swanky hotel, I tried to watch Jaws 3 but fell asleep. Awful.

The next day was quite busy what with all the workshops but I spent an enjoyable hour in the BFI bookshop and spent a fair bit of my small budget on Film books.  What I did manage to get hold of, though, was a four dvd  set of Mystery and Imagination, an ABC tv series from the late 1960s.  It has loads of great programmes: tv versions of  Dracula, Frankenstein, M R James and Algernon Blackwood stuff, all brilliant for teaching the lower years Gothic literature.  Funny enough, that's exactly what I had started teaching my year 8 on the Friday morning.  It's rated at age 12 so it should be perfect.  I'm looking forward to exploring them (including the Canterville Ghost starring Bruce Forsyth as the ghost!). This all fits in well with my current obsessions, so I'll probably mention these as we go along over the coming weeks.

So, why 'gentle chaos'? Well, I can't help but think that any time I go to these sort of conferences (not that I get much opportunity to) they're always so beautifully amateur.  What I referred to someone at the weekend as 'gently chaotic' - the fact that it was organised to a certain extent but not really fully thought-through.  Why send a ticket to be printed off for Saturday, but not Friday, and then not want to see it on the day anyway?  "Oh no, we don't need that.  No-one else would be mad enough to come here on a Saturday for this!" 

Still, although they wanted a hundred to attend this conference, they managed ninety eight, many quite poorly paid teachers.  Many of whom had paid for themselves.  This is quite remarkable. I bet tossers like Mi****l G*** and that complete ****** that runs Ofsted wouldn't beleive it that some of us are commited enough to give up our own time (and money in some cases) to attend this purely because we love what we do.  They probably would think that we earn too much! I had a great time, anyway.

Talking of Ofsted, we have what is now known in the business** as a 'Mocksted' this week. A pretend Ofsted to get us panicky and rehearse for the real thing when it eventually comes along.  Mrs Dave is obviously quite involved and busy preparing.  I'm off for a bath and a glass of Skye's finest.  Oh, and to listen to the album of the week - Bap Kennedy's The Sailor's Revenge. 

And then tomorrow I'll worry about tomorrow . . .

* I'll post a link if it ever appears on one of the websites its's supposed to
** I work at an Academy now.  The Tory party are definitely carrying on in Th*****r's project
**** you get the idea

do the bistro grind

You may have picked up a vague theme running through my ramblings over the last couple of years - yes, I'm into my third year of blogging, believe it or not - of a bit of an obssession with kitchen gadgetry. Well, here we are again.

I've always been quite clumsy.  To be perfectly honest had educationalists in the 1960s given a toss I would probably have been diagnosed as dyspraxic (as well as borderline Tourette's and slightly ocd) but then you were just considered as clumsy (and naughty and a bit odd for the other two conditions).  However, clumsy I am, indeed.

Several times over recent weeks the Pepper grinder we've been using - a Bart's if you must know - has fallen apart whilst I've been grinding pepper over my food.  This, of course, is hilarious to observers, especially my son.  I have to stress that this only ever happens to me. A while back it exploded over a joint of meat I was preparing.  Something had to be done.

Yesterday, whilst hobbling around Sainsbury's I noticed this rather fetching gadget.  It's called a Bistro Grind which sounds like some improbable dance craze like The Strand or Locomotive. Or even The Stanley for Stackridge fans.  Anyway, it's a remarkable improvement over the Bart's exploding pepperpot. The salt is kept at the top and the pepper is automatically ground by depressing the handle on the side.  A marvellous piece of kitchen kit which I've been proudly using at every possible occasion. No more dumping of whole a whole jar of peppercorns and wrecking my food anymore.

I'm currently nursing the start of a cold which is annoying as I only got rid of one a few days ago.  I assume working in a school is to blame with all those pesky kids being ill all over the place. Anyway, I took quick action and looked up a suitable way of getting rid of colds.  Or at least, a way of getting rid of them. It's called The Micheladas Cubana.

Equal measures - say half a glass each - of Clamato and dark beer mixed with 8 or so drops of Tabasco and a twist of lime juice. Yes, that's what I thought. But I made some anyway.  Or at least a version of it.

Clamato appears to be, believe it or not, a mixture of tomato juice and clam broth.  Obviously I couldn't find any so I used a spicy tomato juice called Big Tom which doesn't have clam broth in it.  Not to be deterred I duly poured some into a glass with some dark beer.  Now, I'm not sure if by dark beer they meant stout or not.  I used some Hobgoblin which is a ruby beer - darker than normal bitter. It's evidently the Tabasco and chillis that cut off the neurotransmitters that trigger headaches, whilst the chillis are supposed to help clear mucus from one's nose and lungs. I know it sounds disgusting, gentle reader but I am doing this so nobody else has to.

It is quite disgusting.  Almost foul.  Mind you I've never been a fan of tomato juice but I thought I should try it as it sounded ridiculous enough to work.  Perhaps I should have bought some clam broth too.  Maybe that's the magic ingredient. It's so horrible that I've had to open a can of Abbot Ale to take the taste away.

Ah well, I'll let you know if it works. But don't hold your breath.

the tale of ale

Back in my halcyon days - the early seventies - we spent much of our time going to parties as young people are wont to do. Nowadays I spend most of my time trying to avoid them.  Generally I find parties quite awful affairs, I think I did back then too. Don't get me wrong, I'm a very sociable person and I love spontaneous get-togethers and, as one or two readers may be happy to agree, I'm in my element as mien host.  However, parties have always instilled some general feeling of misgiving, a feeling that I would be better off somewhere else.

Anyhow, I haven't been to a party for ages and will continue to try to wriggle out of one if it comes along.  So why mention them? Well, I'm sitting here next to a "mini cask" of Adnam's finest which I bought for Christmas and never got round to opening - well, until about half an hour ago, anyway. It is full of a flavoursome ale that I am enjoying as I write.  The quality is excellent.  But it is having a similar effect on me as Proust's Madelaines had on him. My mind has whizzed back to those awful angsty parties we used to gatecrash - actually, sometimes we were invited.

Of course, when you go to a party you are expected to take along a bottle of something or some cans of beer.  This is only polite.  What we did was to take along a Watney's Party Seven. I think we bought one for one of our own parties (obviously ours were the exceptions to the awful parties we endured) but somehow never opened it. Now, young men and a large amount of beer, why on earth had we not opened it? Well, for the simple reason that it was disgusting. To be perfectly honest, its very existence probably single-handedly kick-started the CAMRA movement.

Basically, we kept it hanging around for months on end purely just to take to parties.  Normally you would leave the booze you took to a party at the host's house, it is simply the polite thing to do.  Well, except in the case of  a Watney's Party 7.  The hosts usually asked you to take it away with you - its reputation was that poor!

Eventually, we tired of lugging this rather large tin of beer that nobody wanted around with us so we decided to get rid of it.  Now this all happened getting on for forty years ago so my memory is a little hazy on the particulars. What I do remember is that after a discussion about it we decided to get rid of it forever. No we didn't just leave it at someone's house and let them deal with it.  Oh no. That would have been far too simple. No, we took it outside of whoever's house we were partying at and buried it in the garden.  A far better idea.  A sort of buried time capsule if you like.

So at some stage, some poor sod was digging the garden with a garden fork and most likely pierced the said can and was sprayed with stale 1970s beer.  That must have caused a few scratched heads wondering how that got there. 

So, apologies to whoever that poor soul was.  They probably still wonder about it to this day . . .

Confession over.

is this all there is?

I really don't understand how people can become moist of eye and feel nostalgic for such an awful time as the sixties. I mean just think of all those long hot summer days when we had to sit around with nothing to do because nobody had bothered to invent mobile phones yet. All we had to do was go out and play with our friends.  Blimey, I even had to walk round to my friend Graeme's house to see if he was in and wanted to come out to play. All that energy expended when I should have been able to just text him instead.  Then we needn't have bothered going anywhere, we could have then gone onto Facebook and written messages to each other in our pidgin English and not actually have spoken at all.  That's if someone had bothered to invent computers, an internet system and a social networking site.

I used to have to sit around my bedroom just looking at all those boxes of Hornby railways, Minic road system (I didn't have Scalextric), Airfix soldiers and models, Action Men and clothes, books, original Marvel and DC first edition comics, Corgi cars, Britain's farm and zoo animals and (more) soldiers and knights on horseback. If Graeme or someone else came round we had to get all that stuff out and play with it.  If he didn't I would, out of sheer boredom, set up a whole made up warzone of railway, cars, models scenery and plan and fight huge battles on the scale of Ragnorak.  Sometimes these battles would last for days.  That's how bored I was.

Sometimes I would get so bored I would cycle off around the villages surrounding Stevenage for hours. And, of course, because nobody had invented iPhones yet I couldn't be contacted by my parents.  They had no idea where I was.  Obviously I am the product of a dysfunctional family.  Social Services never came round once to check on me and see how little I was cared for.  I had to look after myself for hours - right up until teatime, of course.  My parents were unaware that I was off re-fighting the First World War in the trenches that now lie under Grace Way, or building tree houses in the Bluebell Woods, setting fire to ants with my magnifying glass.  Or just birdwatching with only an I-Spy book and a jam sandwich for company.  Or even that I was regularly being beaten up by the bully boys that lived around Whitesmead Road. Oh for Asbos to be invented!

Just myself for company sometimes! I could wander far and wide and barely see a soul - certainly hardly ever a car - and just enjoy my own company.  Much as I still do today, actually.  I'm more than happy to go off on long walks alone.  My lousy childhood did that to me.  Because of the times we lived in, we weren't allowed iPhones, MP3s et al, so we had to make do with humming to ourselves - remembering words to songs to keep ourselves cheerful.  Which brings me to another thing, music.  I didn't really get into music until 1969 by which time I had to listen to Progressive Music as it was called then.  That means that I was thirteen before I had any choice over what I listened to - on vinyl of course. 

Another thing that was denied to us in those days was decent television.  We only had two channels until BBC2 came along.  And, what is more, we could only really watch anything that we might be interested in from about 4:30 pm until about 6:00pm.  No all day tv stations, no satellites, no nuffing.  What on Earth did we do? I was fourteen before I got a guitar.  Okay, it was impossible to tune and had strings like cheesewire but it looked good propped up in the corner of my room.  It was a few years before I could afford to get one that didn't make me cry when I tried to push a string down onto the fretboard. Not for us the immediate gratification of a beautiful Yamaha or Squire electric guitar for barely a hundred quid and devices that make you sound instantly like your guitar hero for mere pocket money.

What sort of a world were we entering? One where people only ever dreamt of owning a computer that you could carry around in your pocket, communicate with anyone anywhere in the world, sit and watch films all day and all night, type endlessly to our (virtual) friends, play games with people we'll never meet.  Even pornography was just a few photos found in a tatty old copy of Parade magazine.  Unusually, always found in a hedge.  Not sure why.  No wonder we responded in droves to such adverts as this one found in an old copy of Eagle comic.  What an exciting world that offered us.  A golden future definitely.

Unfortunately we were sold down the river and now we find ourselves living in a science fiction world.  The sort of world we were promised by those cheery souls at Eagle.  And now we can, at last, sit around doing all of those things denied to us all those years ago.

Yes, when I mentioned the other day in a class of twelve year olds that we didn't have these things one of them blurted out, "Omigod! I'd die!"  I agree because I wasted so much of my youth sitting around waiting for someone to invent all these wonderful devices because I just had nothing to do.  "What on earth did you do?" they cry.  I just think back to those times and realise how unfortunate we were.